How did you get your start in makeup?
As a teenager in England me and my friends got into doing each other’s makeup and hair, and making outfits from stuff we bought at jumble sales to wear to see bands or go to clubs. I started looking at magazines like i-D and The Face and realized it could be a fun thing to try and do for REAL (Ha!). Maybe it’s because of this that I prefer the homemade, DIY feeling of shoots that feel spontaneous and improvised. Every mood board and pre-meeting is a little death to the creativity, I think.
If you weren’t in makeup, what do you think you’d be doing?
I have no idea what I’d be doing. I hope something creative and fun. I did all kinds of regular jobs before doing this for a living, and none were fun exactly, but I met some cool people.
You’ve had a long, high-profile and diverse career in makeup What do you think gives you and your work that longevity?
I think it’s because, while I have certain things that I’m known for, I’m pretty adaptable and not too precious about it. I have range and I can turn my hand to most things. I like collaborating with different people and trying new stuff, and it doesn’t hurt that I can work fast and get the job done!
As one of the most innovative artists in makeup, how do you find new and unique ways to express yourself in your work?
Thank you! Every job is different, even if some of the elements or other people involved are the same. Each job has its own specific structure and requirements, you need to Continue reading